My name is Ginny Dixon and I come from Mitchell in
south-western Queensland.
For those of you who are unfamiliar with The Outback (or
Australia) as you go down the Warrego Highway towards Charleville, Mitchell is
situated between Muckadilla, where
the bore water was said to have healing powers on a shearer’s bad back, and Mungallala. My father, Bob, a shearer,
caught the last Cobb and Co coach out from there as a kid. He preferred droving
to school and spent years moving cattle and sheep around Australia.
I grew up on the Maranoa River and in Mitchell where the Ooline bottle trees remain
from the remnants of a rainforest in times long ago. They are currently in
flower. I hope they have recovered from being carved with my initials. I
also hope the 300-year old land turtle I painted bright pink survived, and that
the koalas and goannas I pinged with my shanghai have got
over it. My father, his brother Henry, known as Uncle Chook, and their mates
from under the Tree of Knowledge told me once koalas especially had
exceptionally long memories, and they passed them down to the next generation.
But then, they also told me that mulga
snakes wouldn’t hurt a fly. I can
confirm they ignore flies but they don’t like children very much.
My life and writing has been informed by Mitchell. When the first version of the TV drama series of Neighbours failed, I was hired to write the second version. Mitchell and my
family became the Mitchell family — Charlene, Henry and Madge Mitchell — and
other relatives filled in for the friends and neighbours portrayed on Channel 7
where I was almost the sole employee working on the show as the storyteller, story
editor, writer and creator of most of the characters, and then again on Channel
10 in much the same role.
Mitchell again featured as the inspiration for my 2010 novel, Corrugated
Roads, which can be read here. It is the first installment of a künstlerroman, or the novels
that tell the story of an artist’s life.
My first story, The Maranoa Picture Theatre, was broadcast by the ABC in 1979. I applied
to get into the Australian Film Television and Radio School (AFTRS) but
was rejected because I had “too many handicaps”, they being my two small
daughters. After writer Bob Ellis interceded
on my behalf, I was accepted into the School and graduated in 1980. After that
I found work writing all the problems for the television show Beauty
and the Beast—you didn’t think they were from real people
did you? until I moved to Melbourne to work for Dr Trish Edgar at The Australian Children’s
Television Foundation (ACTVF) as
a script and story editor.
After eighteen months I moved back to Sydney and became the
script and story editor for Neighbours where I used all
the knowledge I’d acquired at the ACTVF in the show mixed with the stories from
my life. It was exceptionally successful both on Australian television networks Channel 7, Channel 10 and later in the UK and around the world. This was followed by Sons and Daughters, Australia’s
Most Wanted, A Country Practice, the Zirkos
Kids and more. In the publishing world, I have written for The
Nation Review, Billy Blue magazine, and Woman’s
Day. I gave my children a collective heart attack when I told
them I had my photo taken for Playboy. It had published a
short story. Other stories have been included in a number of collections. My
textbook about writing television and film are in various libraries. The
original Charlene Mitchell script plus many others have been donated to the The John Oxley Library, State Library of Queensland (Reference Code: 10147).
I undertook a Master of Arts at Griffith University in 2005. I
was awarded Alumnus of the Year in November 2011 by Griffith University, School
of Arts.
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